Soul Train

Soul Train

Ever since its debut in 1952, fans of American pop music could tune in weekly to American Bandstand and keep themselves current on all of the latest artists and trends. But it would be almost two decades later before fans of rhythm and blues were given their own weekly outlet. They would forever owe their thanks to a Chicago DJ named Don Cornelius, the creator of Soul Train, for letting their voices be heard. Soul Train showcased all of the up-and-coming artists of the genre, put a spotlight on all the current dance moves, and, very quickly, became an enduring hit.

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Stray Cats

Stray Cats

In the 80s, musical styles were exploring strange new territory, with the inclusion of synthesizers and drum machines adding a mechanical texture and giving a glimpse into the future. But one band in particular, decided to look back rather than forward, going to their roots to forge a retro sound that harkened back to a simpler time in music, the rockabilly era of Gene Vincent, Eddie Cochran and the famous Sun sessions of Elvis Presley. With plenty of pomade in their hair, flipped up collars, and a simple instrumentation, The Stray Cats were a welcome blast from the past.

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Styx

Styx

The emergence of “arena rock” in the late 70s, saw the rise of a number of bands that seemingly went from being completely unknown to filling stadiums overflowing with adoring fans. Perhaps one of the most successful in this genre was a group of five Chicago-based rockers who called themselves Styx. Talk about coming out swinging; the band would land four consecutive double platinum albums, the first band ever to do so, and quickly prove they were a force to be reckoned with.

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Tears For Fears

Tears For Fears

There are some bands that are easy to categorize by genre, or even sub-genre – perhaps never more so than the early 80s. If you weren’t defined as “synth rock” or “new wave,” you were probably exploring “adult contemporary” or “pomp rock.” But for one particular band, Tears For Fears, definitions don’t come easy. They might have fallen into any of the aforementioned categories, or, perhaps they simply created their own. One thing is for certain; their original sound and songwriting skills made them on of the most successful and popular bands to emerge from the era.

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The Police

The Police

Though displaying quasi-punk qualities, the Police was never a true punk band. Rather, they effortlessly mixed and matched elements of punk, ska, reggae and pop to create a very palatable rock sound that earned the three musicians numerous awards, worldwide fame and oodles upon oodles of money. Let's take a look back.

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The Village People

The Village People

It's hard to fathom that someone actually sat around and pondered “Let’s take a Native-American chief, a police officer, a construction worker, a biker, a police officer and a soldier and place them on the same stage together to sing rousing disco songs.” French music producer, Jacques Morali, not only pondered that idea, he saw it to fruition. For he knew that there was nothing too outrageous in the world of disco, especially considering he had already seen plenty of men hanging around French dance clubs in various costumes. The time had come to bring this pageantry to the stage and it appeared in the form of The Village People.

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Tiffany

Tiffany

In the 80s, there was one place that herds of young teenagers could regularly be found – the local shopping mall. So, when producer George Tobin was faced with marketing his newest sensation, he took a rather unorthodox approach that would pay off tenfold. He brought his upcoming star to the fans, embarking on an ambitious tour of shopping malls around the country. Taking center stage, a young red-headed teen by the name of Tiffany, who captured the attention of millions of young shoppers with a penchant for pop music.

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We Are the World

We Are The World

In the late evening on January 28, 1986, a collective group of some of the most recognized musical artists in the world left the American Music Awards festivities and congregated under a shroud of secrecy at A&M studios in Hollywood. The result of this unparalleled collaborative effort was “We Are the World,” a song written to raise money for the victims of famine in Africa. The resulting single, released on March 7th of the same year, would go on to sell 20 million copies, raising significant money for the cause and becoming one of the best remembered songs of the 80s.

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